In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Vast numbers of recordings were issued for profit by bootleg labels. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.ĭuring the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. Thanks to all the contributors who shared memories for the project story and to Tim Gladdis Photography – – for historic East End photographs."Boston USA" redirects here. Listening to the unfolding stories of people who have lived and created in years gone by, while you stroll past an array of historic material and surreal memories, will bring a deeper dimension – the past among the present – to all the sites along the East End Echoes trail. The 12 sites can be viewed in any order and don’t require you to listen or watch all in one setting, just BYO your headphones and mobile device to listen and explore. Recordings of community members, business owners, former residents and creative people have been interwoven with performed voice and soundscape elements, into a 45 minute walking track. The creative team at illuminart have interviewed widely to capture the stories and develop the soundscapes and projection installations. The calling voices of the past will share with listeners, a sense of pride, opportunity, tragedy, loss, romance, grief, and the complex feelings about change that happens around us in the urban landscape, and an understanding of whose footsteps have echoed in this gateway. While a stunning artists-eye-view of the East End Market and its neighbours unfolds through the projection onto the Gateway, the soundscape offers a deeper emotional interaction.
Many decades ago it was the site of hustle and bustle, as market gardeners trucked in their boxes of produce grown in Virginia greenhouses and further beyond, selling to the people of Adelaide well before dawn broke, which gave Rundle Street a 24 hour life cycle of market growers, businesses, community and the cultivation of creativity at all hours. One of the spectacular sites is the East End Market gateway located on the Union Street entranceway to Ebenezer lane.
Uncovering the clues to kaleidoscopic arrays of vegetables, deconstructed daubist art, and firecracker fashions, takes place as you stroll along the street listening to the voices, sound and music.
The project is designed to be experienced, listening to an audiovisual track created by illuminart, where you will meet many of the people who have inspired the projections that playfully transform the buildings. The projections and light storytelling will illuminate 12 landmarks along the Rundle Street and adjacent laneways, each capturing aspects the interwoven histories of people who have lived and journeyed in the East End.
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